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Vicky Beercock

Creative Brand Communications and Marketing Leader | Driving Cultural Relevance & Meaningful Impact | Collaborations

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🔥 Runways Became Raves: LFW S/S 2026 in Full Volume

London Fashion Week just wrapped and, as always, the city reminded everyone why it’s the wild card of fashion month. Paris has its couture codes, New York flexes commercial polish, but London? It’s where heritage houses and upstart names crash worlds together - music, politics, folklore, nightlife - turning runway shows into cultural events. With Laura Weir stepping in as BFC CEO and scrapping designer show fees, the ecosystem itself feels like it’s levelling up. Add in a Burberry blockbuster finale and a raft of underground visionaries, and this season felt less like a schedule and more like a playlist of cultural drops.

📊 Supporting Stats

  • The British Fashion Council estimates LFW generated ÂŁ310M+ in direct spending last year - early signals suggest 2025 topped that, driven by new sponsorships and global guest attendance. (BFC, 2025)

  • TikTok lit up with #LFW2026 racking over 280M views in one week (Launchmetrics, 2025) - proof that runway is now content-first, commerce-second.

  • Nielsen data shows 67% of Gen Z say music-led fashion moments feel more “authentic” than traditional ads (Nielsen, 2024) - which made Burberry’s festival-coded closer feel more like brand logic than gimmick.

  • Conner Ives’ “Protect the Dolls” tee has raised $600K+ for Trans Lifeline, showing how values-driven merch can live beyond the runway.


London delivered. The shows that hit hardest weren’t just loud - they had layers. Burberry doubled down on music as Britain’s global export. H&M proved a high-street giant can crash the LFW main stage if it plays with spectacle. Conner Ives showed how pop culture + politics + commerce can exist in one breath. Paolo Carzana, Johanna Parv, Chopova Lowena and Leo Prothmann grounded the week in narrative and craft - proof that London’s edge isn’t just hype, it’s hybridity. The risk? Everyone chasing the “festival” lane until it feels like cosplay. But when it’s rooted in story, it still slaps.

📌 Key Takeouts

  • H&M: Turned 180 The Strand into a three-act fashion-gig mashup, front row stacked with Central Cee, Little Simz and EmRata. The play? Show the masses that the high street can do high drama.

  • Burberry: Daniel Lee’s British summer/festival fantasy — crochet, python print, neon checks, denim trenches — landed because it connected music’s cultural capital with Burberry’s DNA. Heritage as hype.

  • Conner Ives: Neon glam, trans/non-binary casting, Gaga on a tee, Robyn on the speakers. A pop manifesto with receipts (those charity dollars). Authentic, loud, political.

  • Paolo Carzana: British Library takeover with endangered species as muses. Dye work in alien shades, silhouettes like ghostly relics. Romantic activism with buying power.

  • Jawara Alleyne: Carnival hangover vibes — safety-pins, Converse collab, broken cymbals as jewellery. Pure subcultural chaos made wearable.

  • Simone Rocha: Still the master of twisted femininity. Crinolines skewed, vinyl layered over silk, accessories that whisper “dark romance.”

  • Johanna Parv: Functional chic - cycling uniforms hacked into chic armour. Bags that clip to bike frames but look runway sharp. Utility as luxury.

  • Leo Prothmann: Silverfin leather gowns, riders and guardians on stage, classical-to-techno soundtrack. A myth-meets-material sanctuary.

  • Chopova Lowena: Cheerleaders for the weirdos. Carabiner skirts with sport jerseys, death metal soundtracks, pom-pom armour. Cult as community.

  • Fashion East: 25 years in and still the incubator of chaos. Mayhew, Nuba, Gleba all pointing to a future where London stays the lab.

đź”® What We Can Expect Next
London’s showing us the template: runway as drop, not just display. The “festival crossover” wave is peaking - expect saturation fatigue unless brands root it in story or craft. Watch for a post-spectacle shift: ecological materials (Silverfin leather, Ouyang’s yarn experiments), values-driven merch (Ives’ tees), and problem-solving design (Parv’s cycling couture) will shape where hype meets longevity. If LFW 2026 proved anything, it’s that London is still the cultural plug of fashion month - unpredictable, risky, and impossible to scroll past.a

categories: Fashion
Sunday 09.28.25
Posted by Vicky Beercock
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