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Vicky Beercock

Creative Brand Communications and Marketing Leader | Driving Cultural Relevance & Meaningful Impact | Collaborations

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🎬 Feast or Famine: The Uneven Boom in UK Film and TV Production

Why the UK’s global production glow is masking a local industry in crisis

The UK is basking in the spotlight of big-budget Hollywood productions, from Avengers: Doomsday to The Lord of the Rings: The Rings of Power. Yet behind the scenes, much of the domestic industry is in disarray. While the soundstages are humming with activity, thousands of UK-based workers face chronic underemployment. This split-screen reality has created an unstable industry juggling extreme growth at the top and widespread stagnation below.

📊 Supporting Stats

  • UK film and high-end TV investment jumped 31% in 2024 to $7 billion (British Film Institute).

  • However, the number of total productions dropped by 30% year-on-year - fewer, bigger projects dominate the landscape.

  • 68% of UK film and TV workers surveyed by Bectu in early 2024 reported being out of work.

  • Over one-third are planning to leave the industry within five years.

  • Prestige programming fell by 25% (BFI), driven by streamer pullback and domestic broadcaster cuts.

✅ Pros: What’s Working?

Global Demand for British Infrastructure

  • London’s Pinewood Studios and the UK’s state-of-the-art facilities remain irresistible for U.S. productions, drawn by generous tax incentives and experienced crew bases.

Government Incentives

  • A new UK tax credit for independent films under $20 million (as of April 2025) is driving cautious optimism and renewed investment in mid-tier British filmmaking.

Upskilling Momentum

  • Past shortages triggered rapid skills development, with ScreenSkills and BFI-backed programmes elevating thousands of crew to senior positions during the COVID-era surge.

⚠️ Cons: What’s Not Working?

Freelance Fatigue and Burnout

  • The freelance-heavy workforce is exposed to boom-bust cycles with limited job security. A majority of crew are now idle despite the high-profile productions.

Disappearing Mid-Budget Space

  • Streamer consolidation and inflated costs have squeezed out lower-budget UK productions. Even acclaimed projects like The Mirror and the Light required major pay cuts to move forward.

Overcapacity, Underemployment

  • While production value is up, actual job creation is not. Expensive tentpole projects hire short-term, specialised teams, leaving many traditional crew roles sidelined.

💡 Opportunities: What Brands Should Watch

Homegrown Storytelling Incentives

  • The independent film tax credit is a model that could be extended to prestige TV. A local-first funding ecosystem may unlock unique British narratives fit for global export.

Cultural Reinvestment from Streamers

  • There are rising calls for a UK streamer levy (akin to models in France and Germany) that could fund domestic storytelling — potentially reshaping local content investment.

Cross-Sector Talent Mobility

  • Bridging gaps between unscripted TV, high-end drama, and indie film could help redeploy sidelined talent. Brands involved in production should encourage cross-training and reskilling.

🧱 Challenges: Structural Headwinds

Local Broadcaster Decline

  • Budget cuts at the BBC, Channel 4 and others have hit domestic programming hard, with ripple effects on content diversity and crew employment.

Geopolitical Instability

  • A potential Trump administration has floated tariffs on foreign film and TV production, which could devastate international work in the UK.

Inflated Production Costs

  • The presence of major studios has driven up costs industry-wide, pricing out many smaller UK-led projects and exacerbating inequalities between global and local production.

📝 Key Takeouts

  • UK’s film and TV sector is thriving in value but shrinking in volume.

  • Major U.S. studio investment props up headline figures but leaves many UK workers behind.

  • Domestic content creation is under threat from cost pressures and lack of commissioning.

  • Policy levers like targeted tax credits and levies could rebalance the ecosystem.

  • Long-term, sustainable growth depends on rethinking workforce structure and creative funding.

🔮 Next Steps for Brand Marketers

  • Support Local IP: Partner with or fund British indie productions to help diversify content pipelines and associate your brand with cultural relevance.

  • Advocate for Structural Reform: Lobby for policies that stabilise the creative ecosystem - such as levies on streamers and reinvestment in public broadcasters.

  • Back Skills Mobility: Invest in cross-functional talent development within production, especially initiatives that connect brand storytelling with emerging UK creative talent.

  • Rethink Production Strategy: Don’t rely solely on high-gloss global projects. Explore partnerships with smaller-scale UK teams who offer fresh perspectives and creative agility.

The UK remains a powerhouse for global production. But without recalibration, the spectacle on screen may come at the cost of local sustainability - and cultural depth.

Read more on Variety here: https://variety.com/2025/film/global/uk-hollywood-boom-bust-local-film-tv-1236429372/

categories: Impact
Thursday 07.10.25
Posted by Vicky Beercock
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